Monday 7 November 2022

The arts lover by Giovanni Boldini

 The arts lover by Giovanni Boldini (ca. 1866) 



The newspaper, partially read, is cast, semi-open, upon a rectangular table, some of the pages falling over the side of the table. The table itself is covered in a 'brocade' cloth. 


Image from: https://commons.wikimedia.org/wiki/File:The_arts_lover_(c.1866),_by_Giovanni_Boldini.png


Friday 12 March 2021

Portrait of John Davies of Fronheulog, Llandderfel (1781–1848) c.1840

 





John Davies of Fronheulog, Llandderfel (1781–1848) c.1840

Hugh Hughes (1790–1863)

Llyfrgell Genedlaethol Cymru / The National Library of Wales

Part of the Theological College Collection, purchased from Parchedig Ifan Rh Roberts, 2003

https://artuk.org/discover/artworks/john-davies-of-fronheulog-llandderfel-17811848-120123/search/actor:hughes-hugh-17901863/page/2

The newspaper is on the table beside him. The texts on the front page look to be small advertisements. 




Friday 18 October 2019

R. Marshall. An Early Canine Meeting. 1855.




R. Marshall. An Early Canine Meeting. 1855. 







From: 
https://i.guim.co.uk/img/static/sys-images/Lifeandhealth/Pix/pictures/2012/2/2/1328202980863/An-early-canine-meeting-006.jpg?w=1920&q=55&auto=format&usm=12&fit=max&s=cfd88a2cab9bbaae104a969d5e27c044

An early canine meeting: the Queen’s Head Tavern, London, 1855 by R Marshall. This painting is one of the earliest known representations of a dog club and is considered one of the most historic canine paintings. This type of gathering was the predecessor of present-day dog shows. A number of breeds are shown, including a Manchester terrier in the right foreground.



You can see two newspapers lying on a table, bottom right foreground. The artist has painted masthead titles for each, which are: Bell's Life in London; and The Era. Runs of both newspapers are available in the British Newspaper Archive. 




James Tissot: The last evening (1873)




James Tissot’s The Last Evening (1873), on display as part of Guildhall Art Gallery







Text cited, with acknowledgments:

From: 
https://thehammocknovel.wordpress.com/2014/02/10/tissot-in-the-u-k-london-at-the-geffrye-the-guildhall/

'In The Last Evening (1873, oil on canvas), Tissot depicts a scene fraught with tension.  The woman was modeled by Margaret Kennedy (1840 -1930), the wife of Tissot’s friend, Captain John Freebody, (b. 1834).  Freebody was the master of the Arundel Castle from 1872-73, and his ship took emigrants to America.  He is the younger man in the painting, and Margaret’s older brother, Captain Lumley Kennedy (b. 1819, the master of the Aphrodite in 1872), is the man with the red beard.  Tissot exhibited The Last Evening and The Captain’s Daughter (1873, Southampton City Art Gallery) at the Royal Academy in 1873.' 

From :
https://www.litro.co.uk/2016/09/communication-nation-victorians-decoded-art-telegraphy-guildhall-art-gallery/


' It is a tangle of unnameable emotions and undefined relationships: a woman in a bath chair, perhaps an invalid, gazes into the middle distance as a sailor wearing a wedding ring addresses her from slightly behind and to the side, his arm curled around her chair in a manner that feels distinctly Mephistophelean. On a deckside bench nearby, another sailor—older and bearded—holds a newspaper, which he’s not reading, between his knees and looks disgruntled. His seat companion, an elderly gentleman with a top hat and watch chain, glances behind him with irritation at something out of view. Meanwhile, a little girl with a black velvet hair ribbon leans over the back of the bench: perhaps trying to read the newspaper that’s held out of her reach, perhaps importuning the elderly man (a grandfather? A guardian?). Behind them all, the riggings of this ship and a dozen others criss-cross the sky in whip-like lines of black paint. It is unspeakably claustrophobic.' 



The Last Evening (1873) by London-based French painter James Tissot, one of the centrepieces of the new Victorians Decoded exhibition at Guildhall Art Gallery.

Tuesday 10 November 2015

An illustration from Trollope’s The Claverings.





From Wiki: “Trollope wrote The Claverings between 21 August and 31 December 1864. The work was serialised in the Cornhill Magazine from February 1866 to May 1867; it was the fourth and last of Trollope's novels published in the magazine. It was issued in book form by Smith, Elder & Co. in 1867. Trollope received £2800 for the novel.”

The text immediately above the illustration reads: “He had his cup of coffee, and she had her cup of tea, and she made one or two little attempts at saying something special,—something that might lead to a word or two as to their parting; but he was careful and crafty, and she was awkward and timid,—and she failed. He had hardly been there an hour, when looking at his watch he declared that it was ten o'clock, and that he would go to bed. Well; perhaps it might be best to bring it to an end, and to go through this embrace, and have done with it! Any tender word that was to be spoken on either side, it was now clear to her, must be spoken in that last farewell. There was a tear in her eye as she rose to kiss him; but the tear was not there of her own good will, and she strove to get rid of it without his seeing it. As he spoke he also rose, and having lit for himself a bed-candle was ready to go. "Good-by, Hermy," he said, submitting himself, with the candle in his hand, to the inevitable embrace.”


 
This illustration is signed: “M E E”, i.e. Mary Ellen Edwards; and it was engraved by Horace Harral. The caption reads: “Husband and Wife”. We are shown Lady Hermione Clavering embracing her huisband Sir Hugh Clavering. An unidentifiable, discarded newspaper is on the floor to the right hand corner of the illustration.

 A summary of the plot and all of the illustrations are listed in: http://www.anthonytrollope.com/books/works/claverings_the_/